Barbie telah menjadi fenomena global yang tak hanya menarik perhatian anak-anak, tetapi juga dari berbagai kalangan usia. Sejak debutnya, Barbie telah berkembang dari sekadar boneka menjadi ikon budaya dengan cerita yang beragam, mencerminkan isu-isu sosial dan nilai-nilai modern. Barbie sering kali ditempatkan dalam berbagai peran—dari putri dan pahlawan super hingga ilmuwan dan astronot—mencerminkan sifat serbaguna dan aspiratif dari karakter ini.
film "Barbie 2023" memperkenalkan kita pada dunia Barbieland, sebuah masyarakat matriarkal yang penuh warna dan peran-peran penting yang dipegang oleh Barbie. Ketika Barbie mengalami krisis eksistensial yang memaksanya untuk pergi ke dunia nyata, kita melihat perjalanan emosional dan fisik yang mengajarkan tentang identitas, gender, dan keadilan sosial. Melalui analisis struktur naratif, kita dapat melihat bagaimana cerita ini disusun untuk memberikan dampak yang kuat kepada penontonnya.
Membaca struktur film Barbie dapat memberikan wawasan mendalam tentang narasi dan pengembangan karakter dalam kisah-kisah yang disajikan. Secara umum, film Barbie sering mengikuti pola naratif yang terorganisir dengan baik, memperkenalkan konflik, mengembangkan plot, dan mencapai resolusi dengan memanfaatkan elemen-elemen yang akrab bagi penonton muda.
Membaca struktur film tidak hanya mendalami narasi namun juga bisa menyediakan sebuah landasand untuk kemudian bisa diteliti lebih lanjut. Struktur ini adalah contoh bagaimana film dibagi dalam ukuran unit cerita yang bisa digunakan dalam penelitian film. Peneliti tentu bisa memilih struktur mana yang diolah sebagai data penelitian.
Baca juga :
Film sebagai data penelitian
Cara membaca film
Berikut adalah sinopsis yang diberikan oleh wikipedia tentang film barbie:
Barbie ("Stereotypical Barbie") and fellow dolls reside in Barbieland, a matriarchal society populated by different versions of Barbies, Kens, and a group of discontinued models who are treated like outcasts due to their unconventional traits. While the Kens spend their days playing at the beach, considering it their profession, the Barbies hold prestigious jobs in law, science, politics, and so on. Ken ("Beach Ken") is only happy when he is with Barbie, and seeks a closer relationship with her, but she rebuffs him in favor of other activities and female friendships.
One evening at a dance party, Barbie is suddenly stricken with worries about mortality. Overnight, she develops bad breath, cellulite, and flat feet, disrupting her usual routines and the classic perfection of the Barbies. Weird Barbie, a disfigured doll, tells Barbie to find the child playing with her in the real world to cure her afflictions. Barbie decides to follow the advice and travel to the real world, with Ken joining Barbie by stowing away in her convertible.
After arriving in Venice Beach, Barbie punches a man after he gropes her. Barbie and Ken are briefly arrested. Alarmed by the dolls' presence in the real world, the CEO of Mattel orders their recapture. Barbie tracks down her owner, a teenage girl named Sasha, who criticizes Barbie for encouraging unrealistic beauty standards. Distraught, Barbie discovers that Gloria, a Mattel employee and Sasha's mother, inadvertently caused Barbie's existential crisis after Gloria began playing with Sasha's old Barbies. Mattel attempts to put Barbie in a toy box for remanufacturing, but she escapes with Gloria and Sasha's help, and the three travel to Barbieland with Mattel executives in pursuit.
Meanwhile, Ken learns about patriarchy and feels respected for the first time. He returns to Barbieland before Barbie does and persuades the other Kens to take over. The Kens indoctrinate the Barbies into submissive roles, such as agreeable girlfriends, housewives, and maids. Barbie arrives and attempts to convince the Barbies to be independent again. When her attempts fail, she becomes depressed. Gloria expresses her frustration with the conflicting standards women are forced to follow in the real world. Gloria's speech restores Barbie's confidence.
With the assistance of Sasha, Weird Barbie, Allan, and the discontinued dolls, Gloria uses her knowledge from the real world to deprogram the Barbies from their indoctrination. The Barbies then manipulate the Kens into fighting among themselves, which distracts them from enshrining male superiority into Barbieland's constitution, allowing the Barbies to regain power. Having now experienced systemic oppression for themselves, the Barbies resolve to rectify the faults of their previous society, emphasizing better treatment of the Kens and all outcasts.
Barbie and Ken apologize to each other, acknowledging their past mistakes. When Ken bemoans his lack of purpose without Barbie, she encourages him to find an autonomous identity. Barbie, who remains unsure of her own identity, meets with the spirit of Ruth Handler, Mattel co-founder and creator of the Barbie doll, who explains that Barbie's story has no set ending and her ever-evolving history surpasses her roots.
After sharing goodbyes with the Barbies, Kens, and Mattel executives, Barbie decides to become human and return to the real world. Sometime later, Gloria, her husband, and Sasha take Barbie, now going by the name "Barbara Handler", to her first gynecologist appointment.
Berikut adalah pembagian struktur dengan 3 babak, 8 sequence dan beat-sheet.
Three-Act Structure |
8 Sequence Structure |
15 Beats (Save the Cat!) |
-
Introduction of Barbieland and characters (Barbie, Ken, etc.) |
Sequence 1: Setup |
1. Opening Image |
-
Introduction of Barbieland and characters |
- Opening image of Barbieland as an ideal matriarchal society |
|
2. Theme Stated |
||
Sequence 2: Predicament |
- Themes of gender roles and identity are introduced |
|
- Barbie's
existential crisis begins |
3. Set-Up |
|
- Introduction of Barbieland, Barbie, Ken, and their roles |
||
Sequence 3: First Obstacle |
4. Catalyst |
|
- Arrival in Venice Beach and first challenges |
- Barbie's existential crisis begins at the dance party |
|
Act 2: Confrontation |
Sequence 4: First Culmination / Midpoint |
5. Debate |
- Barbie and
Ken face challenges in the real world |
-
Confrontation with reality and meeting Sasha |
- Barbie decides whether to follow Weird Barbie's advice |
6. Break into Two |
||
- Barbie and Ken decide to go to the real world |
||
Sequence 5: Subplot and Escalation |
7. B Story |
|
- Ken introduces patriarchy in Barbieland |
- Development of Barbie's relationship with Gloria and Sasha |
|
Sequence 6: Main Culmination |
8. Fun and Games |
|
- Barbie
returns and tries to regain control |
- Barbie and Ken's experiences in the real world |
|
9. Midpoint |
||
- Barbie discovers Gloria caused her crisis; Ken feels empowered by patriarchy |
||
10. Bad Guys Close In |
||
- Mattel intensifies efforts to capture Barbie; Ken takes over Barbieland |
||
Act 3: Resolution |
Sequence 7: Final Obstacle |
11. All Is Lost |
- Gloria's speech
inspires Barbie |
- Gloria's
speech and Barbie's renewed confidence |
- Barbie feels all is lost as Kens have taken over |
12. Dark Night of the Soul |
||
Sequence 8: Resolution |
- Barbie is in deep despair |
|
- Barbie and
Ken's reconciliation |
13. Break into Three |
|
- Plan to deprogram the Barbies and reclaim Barbieland |
||
14. Finale |
||
- Barbies reclaim Barbieland from Kens |
||
15. Final Image |
||
- Barbie, now "Barbara Handler," faces real life |
Memahami struktur dasar ini, penonton dapat mengapresiasi film Barbie lebih dalam, mengidentifikasi bagaimana plot dirancang, dan bagaimana karakter-karakter berevolusi sepanjang cerita. Ini juga dapat menjadi alat pembelajaran yang berguna bagi penulis dan pembuat film yang ingin membuat karya yang berkesan bagi penonton muda.
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